De Campo JDC-IO
05-02-2007, 01:10 AM
We are very excited to announce that a book called “CEBUANO ESKRIMA: Beyond the myth” written by Ned R. Nepangue, M.D. and Celestino C. Macachor.
Here is a brief synopsis:
• Cebuano Eskrima: Beyond the Myth boldly unravels with compelling and provocative hypothesis on the Hispanic origins of the Filipino Martial Arts known as eskrima, arnis and estokada.
• The last vestiges of the extinct European medieval fencing could be found indirectly linked to Filipino eskrima
• The authors present prima facie evidence on the fraud of the supposedly precursor art called kali
• A more plausible theory on the origins of eskrima are presented in startling detail from its early beginnings as a defense against Moro pirates and slave traders and its later fusion with Spanish fencing through the Jesuit warrior priests during the pivotal years 1635-1644, the height of Spanish rapier fencing in Europe during the Renaissance.
• It also presents a comprehensive chronology on the development of eskrima in Cebu, a meticulous commentary of Cebuano pioneers and innovators of eskrima and elucidates the pre-eminence of Visayans in the art of eskrima / arnis / estokada
• As both authors are practitioners of this martial art, technicalities in eskrima never before detailed in other materials on the subject are carefully discussed in the book
• Other interesting topics related to eskrima like the esoteric practices and healing modalities are also explained in fascinating detail.
Here is what they are saying:
This book, Cebuano Eskrima: Beyond the Myth is written as a result of many years of contemplation, study and practice on the part of the authors. This work will serve as a convenient reference and guide to the concepts, historical roots and cultural foundations of this revered art.
Juan “Johnny”F. Chiuten, Jr.
Founder, Pronus Supinus
-------------------------------------------------------
My Father, Grandmasters Cornelio “Kune” T. Guarra and his group were dedicated practitioners of arnis/eskrima, an original Filipino Martial Art of self-defense. I myself have been practicing arnis/eskrima for 66 years and continue to this day.
My greatest hope is for this treasured indigenous Filipino Martial Arts to be continued by the next generation. WE of the older generation would like to pass on our skills and knowledge to the bearers of the art. Arnis/Eskrima is our cultural pride. We as Filipinos must propagate it as a truly effective form of self-defense and don’t just let it die.
Very few Filipinos have researched and documented this truly Filipino Martial Art so I am happy that Ned Nepangue and Celestino Macachor of Cebu are coming up with a book that deals with the history, traditions, philosophy and character of arnis/ eskrima. I hope that Filipinos and foreigner alike will come to appreciate the Filipino Martial Arts of Arnis/Eskrima.
Estanislao T. Guarra
Founder / President Guarra Style Modern Arnis
-------------------------------------------------
October 4th 2006
Bago City
Negros Occidental
When I look back, I can’t stop but smile. I was 10 years old when I started the study of Filipino Martial Arts (FMA) under my late uncle, Grandmaster Romeo “Nono” C. Mamar, the founder of the Original Filipino Tapado. I started teaching when I was 14 and went on to become the Chief Instructor of the Original Filipino Tapado Long Stick Fighting Association (OFTLSFA), Inc. Now I’m 57 but I sill enjoy the feel of the stick in my hands and the smell of coffee sticks when they collide. It gives me pride to be a Filipino.
This fervor for the Filipino Mart Arts (FMA) was further intensified when my uncle passed away and I was tasked by his family to continue his legacy. In the early days, duels were a daily reality for Arnis professors and Tapado was no exception. Many wanted to learn but we kepthigher teachings within the family. But times have. We no longer fight duels and the arts have become more popular with the general public.
With this I envision the propagation of the Filipino Martial Arts (FMA) in our country and around the world. Each style or systems of arnis, eskrima, or estokada have their own unique strengths and weaknesses. This diversity characterizes the Filipino ingenuity, culture, philosophy, and warrior traditions.
This works by Ned Nepangue and Celestino Macachor is a highly commendable act of dedication to document and preserve a certain part of the Filipino martial culture, in this case that of Cebuano Eskrima. Such work requires much time, money, and effort and one would be hard pressed to find people who are willing to give the necessary sacrifice. The book is a candid in its presentation and is scholastically prepared, especially in its evaluation of the origins and myth of kali. As a Filipino I want to thank the authors for giving the Filipino Martial Arts (FMA) the scholastic attention they deserve. I and our association are proud to endorse their documentary work.
Benefredo “Bebing” Marmar Lobrido
President and Headmaster
Original Filipino Tapado Long Stick Fighting Association
------------------------------------------------------------
September 18 2006
Ozamiz City
It is undeniable that the fighting arts of the Philippines are deeply rooted in the history and culture of the Philippines. To gain a better understanding of the art, we must be able to seek out and explore the bits and pieces of its history. As what Marcus Aurelius, the last of the “Five Good Emperors” who governed the Roman Empire from 96 to 180 quoted, “Look back over the past, with its changing empires that rose and fell, and you can foresee the future, too.” If has been said that he who controls the past controls the future. Our view of history shapes the way we view the present, and therefore it dictates what answers we offer for existing problems.
This thought-provoking book attempts to go deeper but not exhaustive on history of the art eskrima. If questions the concept that eskrima came from an older art called kali which is reputed to come from Moro people in Mindanao. As a native of Mindanao, my journey in the Filipino Martial Arts only leads me to be acquainted with eskrima and I haven’t heard of its so called mother art named kali. This book is an interesting read since it also covers some technical discussion on eskrima and showcases about eskrima in Cebu.
I personally know the authors of this book, Dr. Ned Nepangue and Celestino Macachor. Both of them are dedicated eskrimadors. This book is a product of their collective research in Cebuano eskrima over the years being part-time freelance writers. This book is highly recommended to everybody interested in Filipino Martial Arts.
Eric L. Olavides
Head and Chief Training Director
Eskrima De Campo JDC-IO
------------------------------------------------------------
October 31, 2006
Metro Manila
When Ned Nepangue called me three years ago, he informed me that he was interested in interviewing me for an article in Rapid Journal. The interview never materialized.
Three years after, he called me again, inviting me to write the foreword for this book, Cebuano Eskrima: Beyond the myth. Given my passing acquaintance with Ned, I was therefore somewhat surprised by the invitation. What the reason, I am flattered, and humbled.
The book highlights the martial heritage of Cebu. It is, in my view, a well-researched book that illustrates the richness of Cebu’s Martial systems and its cultural linkage, without disparaging the Filipino Martial Arts of the other regions. If is a major step towards what many consider unattainable, the unification of the Filipino Martial Arts, and is destined to be a must-have in the library of anyone with an interest in Filipino Martial Arts.
As the Filipino Martial Arts community is a fractured community, any part I can play in changing this situation is an opportunity I welcome. It is in this light that I would like to thank Ned Nepangue for giving me the opportunity to introduce this book. I will also be forever grateful to Atty Jose Villasin, Teofilo Velez and Timoteo Maranga for endowing me with the strength and wisdom to pursue excellence.
Finally, although he has already passed on many years ago, I would like to thank my teacher and mentor, Venancio Beacon, for sharing with me the gift of his skill and the unique Cebuano martial sprit that Ned Nepangue and Celestino Macachor so ably illustrate in this book.
Bob Silver C. Tabimina
Founder, Tabimina Balintawak
--------------------------------------------------------
Please visit the link below to purchase this book. http://www2.xlibris.com/bookstore/bookdisplay.asp?bookid=28322
Thank you.
Jason
Trainer
Los Angeles Chapter, United States
Eskrima de Campo JDC-IO
http://www.EskrimaDeCampo.com (http://www.eskrimadecampo.com/)
Here is a brief synopsis:
• Cebuano Eskrima: Beyond the Myth boldly unravels with compelling and provocative hypothesis on the Hispanic origins of the Filipino Martial Arts known as eskrima, arnis and estokada.
• The last vestiges of the extinct European medieval fencing could be found indirectly linked to Filipino eskrima
• The authors present prima facie evidence on the fraud of the supposedly precursor art called kali
• A more plausible theory on the origins of eskrima are presented in startling detail from its early beginnings as a defense against Moro pirates and slave traders and its later fusion with Spanish fencing through the Jesuit warrior priests during the pivotal years 1635-1644, the height of Spanish rapier fencing in Europe during the Renaissance.
• It also presents a comprehensive chronology on the development of eskrima in Cebu, a meticulous commentary of Cebuano pioneers and innovators of eskrima and elucidates the pre-eminence of Visayans in the art of eskrima / arnis / estokada
• As both authors are practitioners of this martial art, technicalities in eskrima never before detailed in other materials on the subject are carefully discussed in the book
• Other interesting topics related to eskrima like the esoteric practices and healing modalities are also explained in fascinating detail.
Here is what they are saying:
This book, Cebuano Eskrima: Beyond the Myth is written as a result of many years of contemplation, study and practice on the part of the authors. This work will serve as a convenient reference and guide to the concepts, historical roots and cultural foundations of this revered art.
Juan “Johnny”F. Chiuten, Jr.
Founder, Pronus Supinus
-------------------------------------------------------
My Father, Grandmasters Cornelio “Kune” T. Guarra and his group were dedicated practitioners of arnis/eskrima, an original Filipino Martial Art of self-defense. I myself have been practicing arnis/eskrima for 66 years and continue to this day.
My greatest hope is for this treasured indigenous Filipino Martial Arts to be continued by the next generation. WE of the older generation would like to pass on our skills and knowledge to the bearers of the art. Arnis/Eskrima is our cultural pride. We as Filipinos must propagate it as a truly effective form of self-defense and don’t just let it die.
Very few Filipinos have researched and documented this truly Filipino Martial Art so I am happy that Ned Nepangue and Celestino Macachor of Cebu are coming up with a book that deals with the history, traditions, philosophy and character of arnis/ eskrima. I hope that Filipinos and foreigner alike will come to appreciate the Filipino Martial Arts of Arnis/Eskrima.
Estanislao T. Guarra
Founder / President Guarra Style Modern Arnis
-------------------------------------------------
October 4th 2006
Bago City
Negros Occidental
When I look back, I can’t stop but smile. I was 10 years old when I started the study of Filipino Martial Arts (FMA) under my late uncle, Grandmaster Romeo “Nono” C. Mamar, the founder of the Original Filipino Tapado. I started teaching when I was 14 and went on to become the Chief Instructor of the Original Filipino Tapado Long Stick Fighting Association (OFTLSFA), Inc. Now I’m 57 but I sill enjoy the feel of the stick in my hands and the smell of coffee sticks when they collide. It gives me pride to be a Filipino.
This fervor for the Filipino Mart Arts (FMA) was further intensified when my uncle passed away and I was tasked by his family to continue his legacy. In the early days, duels were a daily reality for Arnis professors and Tapado was no exception. Many wanted to learn but we kepthigher teachings within the family. But times have. We no longer fight duels and the arts have become more popular with the general public.
With this I envision the propagation of the Filipino Martial Arts (FMA) in our country and around the world. Each style or systems of arnis, eskrima, or estokada have their own unique strengths and weaknesses. This diversity characterizes the Filipino ingenuity, culture, philosophy, and warrior traditions.
This works by Ned Nepangue and Celestino Macachor is a highly commendable act of dedication to document and preserve a certain part of the Filipino martial culture, in this case that of Cebuano Eskrima. Such work requires much time, money, and effort and one would be hard pressed to find people who are willing to give the necessary sacrifice. The book is a candid in its presentation and is scholastically prepared, especially in its evaluation of the origins and myth of kali. As a Filipino I want to thank the authors for giving the Filipino Martial Arts (FMA) the scholastic attention they deserve. I and our association are proud to endorse their documentary work.
Benefredo “Bebing” Marmar Lobrido
President and Headmaster
Original Filipino Tapado Long Stick Fighting Association
------------------------------------------------------------
September 18 2006
Ozamiz City
It is undeniable that the fighting arts of the Philippines are deeply rooted in the history and culture of the Philippines. To gain a better understanding of the art, we must be able to seek out and explore the bits and pieces of its history. As what Marcus Aurelius, the last of the “Five Good Emperors” who governed the Roman Empire from 96 to 180 quoted, “Look back over the past, with its changing empires that rose and fell, and you can foresee the future, too.” If has been said that he who controls the past controls the future. Our view of history shapes the way we view the present, and therefore it dictates what answers we offer for existing problems.
This thought-provoking book attempts to go deeper but not exhaustive on history of the art eskrima. If questions the concept that eskrima came from an older art called kali which is reputed to come from Moro people in Mindanao. As a native of Mindanao, my journey in the Filipino Martial Arts only leads me to be acquainted with eskrima and I haven’t heard of its so called mother art named kali. This book is an interesting read since it also covers some technical discussion on eskrima and showcases about eskrima in Cebu.
I personally know the authors of this book, Dr. Ned Nepangue and Celestino Macachor. Both of them are dedicated eskrimadors. This book is a product of their collective research in Cebuano eskrima over the years being part-time freelance writers. This book is highly recommended to everybody interested in Filipino Martial Arts.
Eric L. Olavides
Head and Chief Training Director
Eskrima De Campo JDC-IO
------------------------------------------------------------
October 31, 2006
Metro Manila
When Ned Nepangue called me three years ago, he informed me that he was interested in interviewing me for an article in Rapid Journal. The interview never materialized.
Three years after, he called me again, inviting me to write the foreword for this book, Cebuano Eskrima: Beyond the myth. Given my passing acquaintance with Ned, I was therefore somewhat surprised by the invitation. What the reason, I am flattered, and humbled.
The book highlights the martial heritage of Cebu. It is, in my view, a well-researched book that illustrates the richness of Cebu’s Martial systems and its cultural linkage, without disparaging the Filipino Martial Arts of the other regions. If is a major step towards what many consider unattainable, the unification of the Filipino Martial Arts, and is destined to be a must-have in the library of anyone with an interest in Filipino Martial Arts.
As the Filipino Martial Arts community is a fractured community, any part I can play in changing this situation is an opportunity I welcome. It is in this light that I would like to thank Ned Nepangue for giving me the opportunity to introduce this book. I will also be forever grateful to Atty Jose Villasin, Teofilo Velez and Timoteo Maranga for endowing me with the strength and wisdom to pursue excellence.
Finally, although he has already passed on many years ago, I would like to thank my teacher and mentor, Venancio Beacon, for sharing with me the gift of his skill and the unique Cebuano martial sprit that Ned Nepangue and Celestino Macachor so ably illustrate in this book.
Bob Silver C. Tabimina
Founder, Tabimina Balintawak
--------------------------------------------------------
Please visit the link below to purchase this book. http://www2.xlibris.com/bookstore/bookdisplay.asp?bookid=28322
Thank you.
Jason
Trainer
Los Angeles Chapter, United States
Eskrima de Campo JDC-IO
http://www.EskrimaDeCampo.com (http://www.eskrimadecampo.com/)